Tag: creativity

CDS Column: 7 Billion Small

The world at times can seem quite full. Seven billion people all scratching out a living, with hundreds of different languages and customs. It sounds like a lot. But sometimes it’s not.

This past summer, I was working in Belize. I was there with an organization that takes American high school students around the world on volunteer service trips. The Americans were the native language speakers at a summer camp designed to teach Belizean elementary and middle schoolers English. We spent two weeks teaching and otherwise explored the country.

We were hardly the only program there. There were groups everywhere. Even our home base was not immune: There was a group of high school students there to learn about rainforest and barrier reef ecology, another group backpacking through the jungle and a third group of American middle school students who were doing adventure trips around the country interspersed with the occasional day of volunteer service.

This was at one rustic eco-resort, and there were similar groups at other sites across the country. It was a flood of Americans, all there to discover a new place and lend a hand. Our 26 kids were swimming in a sea of transplanted American youth.

Anyone who works on such programs knows there develops a brotherhood and a sisterhood among the staff. An affinity grows for others caught in the same situation, facing the same daily stress of chaperoning dozens of kids that aren’t yours. It must be the same among teachers, but in Belize there were no hallways or walls to hem them in, no busses home at the end of the day. We all worked from breakfast until bedtime, and at the end of the day the students hopefully settled back to their beds without incident. Hopefully.

That’s when we, the staff, would take our breather. We would sit together and chat. Program allegiances tossed aside, we would relax, sometimes solving as a team the complexities involved in individual programs.

It was in one of these impromptu summits that I saw the sticker. It was on one of the other program staff’s water bottles, a lobster next to the letters ME.

“Are you from Maine?” I asked.

“Yes,” the woman replied. “Originally. I now live in Oregon. But my family is still there.”

“Nice,” I said. “I live in New Hampshire. My sister lives just outside Portland.”

She smiled, and I thought that the end of it. But two days later I got an email my sister.

“I’m having dinner with a friend,” she said, “and my friend says her sister is working in Belize. Her name is Alison. Small world.”

“Tall teacher from Oregon Alison?” I wrote back. “No way! I met her the other day!”

Fast forward to now. The holidays are when people migrate across the country to visit friends and family. On Friday, I walked into my sister’s kitchen to see my niece and nephew, and there’s Alison, along with her sister, chatting with my sister. I couldn’t help but start laughing.

That alone might be enough to prove the world a small place, but these sorts of coincidences never travel alone.

Three summers ago, I was in Peru doing similar work, this time taking American high school students to build greenhouses at rural schools. With me were three other staff members — a couple from California named Miguel and Gigi, and a woman named Laura from Wisconsin who lived in Finland. We were all there for the summer, again to corral up to 30 American students at a time on multiple programs. It was two months in total, and we four spent a lot of time together.

For the couple, however, time off together was important. Miguel and Gigi did what they could to get away in the moments between programs, as well as most afternoon breaks when the students were there.

That left Laura and I to spend a lot of time together. We were paired by default, and while such a pairing could have been disastrous she had an adventurous spirit. Together we explored Incan ruins, traveled to remote villages, soaked in hot springs and got to know Cusco. We’d sit in the central square, me writing, her drawing, and enjoy the quiet of a student-less afternoon. Over the course of the summer, Gigi, Miguel, Laura and I all became close friends, but it was with Laura I spent by far the most time.

When the program came to a close I stayed in South America. I traveled to Arequipa and then to Chile. Laura, meanwhile, caught a flight back to Wisconsin and then to Finland. She and I stayed in touch for a time, emailing and chatting over Skype after I returned to New Hampshire, but life eventually caught up. We lost touch.

That was almost three years ago. Fast forward to Monday. This Christmas, I decided to draw my own holiday cards. I wanted to make them individualized, special, and I’ve been drawing a lot lately. So I bought card blanks at an art store and tackled a few, but inevitably it went slower than I’d intended. Most of the box sat unsent.

The day after Christmas I picked up the box, feeling a guilty about the remaining cards. On the cover was a beautiful line drawing showing just how creative cards could get, and underneath small print credited the artist. Four words: “Art by Laura…”

It was my friend. Her name was on my card blank box. I looked at the box and remembered her afternoon drawings in Cusco. Suddenly it was as if she was at my dining room table, in line form. I laughed out loud. I Googled to make sure it was the same Laura, and it was.

I tossed the box aside and wrote a much-belated email.

This column appeared in the Conway Daily Sun.

Favorite Stories

Sometimes we get to write about something we’re passionate about.

This past week I had the pleasure of watching my piece about Circus Maine, the Portland-based circus school I’ve been taking hand-balancing classes at, appear in the Portland Phoenix. The designers at the Phoenix did an awesome job, and Circus Maine gave us access to beautiful photos. The whole package looked awesome. It was cool to see. Circus is a mix of art, gymnastics and stage performance, and it combines the passion of all three.

And as if that wasn’t cool enough, last night I got to take my 9-year-old niece to a Circus Maine show. We found front row seats, and for an hour-and-a-half we watched the students and teachers give an amazing performance. After you write a story about how cool something is you think you know, but last night I was blown away. It was awesome. It makes me love what I do.

Portland Phoenix: Art Walk

The best part about art shopping is the wandering it requires. It’s not like buying a blender or one of those abominable Hatchimals, things you can just order off the internet or walk into a store, point and go home—quick, painless, boring.

Art is different. There is no MSRP, no UPC, and to find something you like takes time. It takes perusing galleries, developing a taste, seeing a lot of crap or plain work before you strike on something unique.

And my unique is different than your unique. A stroll through the Greenhut Galleries on Old Port’s Middle Street last week pulled me to a painting by Jeff Bye, Portland Harbor in oil marked by strong lines and colors that bled into one another. On the reverse wall another Bye piece, this one a painting of New York City’s Canal Street from the air, measured almost four feet by four feet. It puts the feeling of skydiving into traffic while wearing goggles smeared with Vaseline onto canvas, and it stopped me in my tracks. So did its $12,000 price tag. My gift giving is by necessity far less generous, but when else are you overwhelmed by arresting beauty while holiday shopping? At Target? At the Apple Store? No. Art shopping is its own gift, as much as for you as for those you’re shopping for.

And opposite Bye’s opus were four tiny masterpieces by Kathi Smith, six inch by six-inch landscapes bursting with color. Even upscale galleries have something for everyone—Smith’s wild rendition of Black Head on Monhegan Island, a fraction of the size and price of Bye’s work, fell much closer to my price range.

Portland is full of such gems: a few doors down the Portland Art Gallery had Bill Crosby’s seascapes, smartly smeared sand dunes and angular beaches. At the Roux & Cyr Gallery on Free Street, it was Sally Ladd Cole’s crashing waves and Dan Graziano’s restaurant scenes that stopped me. Shopping became a midweek art walk, the discoveries of an afternoon meander.

But maybe you’re more excited by the creative process itself than the clean quiet halls of city center galleries. Luckily Portland carries broad tastes. If you missed the First Friday’s street fair and MECA’s holiday sale there is always Running With Scissors, a studio tucked in East Bayside. Their print shop, ceramics studio and woodshop houses painters, potters, jewelers, furniture makers. Walking their halls is like roaming Santa’s workshop, with human-sized elves everywhere making, making, making.

And on Dec. 10 Scissors is opening its doors, holding a holiday pop-up sale that mixes art, food, beer, woodblock printing, painting and shopping. Artists creating in their spaces are also selling. It’s a chance to get drawn in, to become part of the process, as well as chance to take something home.

And with art isn’t that the point? To make, create, experiment, mess up and start over? Running With Scissors is a chance to buy prints, mugs, handmade maps and paintings, but it’s also a chance to watch the creative process in action, to shake hands with the hands that sculpt the art.

But there are also opportunities to become the sculptor. Here the wandering steps deeper, beyond the galleries and even the gallery/studios to the maker spaces, places never intended for public consumption. A walk back into town ends at the Continuing Studies department of the Maine College of Art, where anyone can sign up for—or gift—courses in drawing, ceramics, sewing, photography, glassblowing. For the cost of a handful of handmade mugs (or a fraction of the cost of an Elizabeth Hoy painting) you can give instruction and dirty hands. Art doesn’t just sit on the wall here. It’s blue collar work built on apprenticeship and years of training.

But it doesn’t take years to draw a portrait. It takes sitting still and looking deeply. These are rare gifts today. A weekend workshop transforms art from a noun into a verb.

Lastly, before we close we must make two more holiday art walk stops: Art Mart on Congress Street and Artist & Craftsman Supply on Deering. Whether you’ve signed someone up for a class or know a friend who spends nights drawing random scenes while bar-hopping, these stores carry paper, paints, pastels and glue, ink, xacto knives and easels, holiday gifts for anyone with a creative spirit. It’s hard to walk these aisles and not imagine the showpiece that might spring from your own hands.

One more wandering holiday step. And still not a blender in sight.

This piece appeared as part of the Portland Phoenix Holiday Gift Guide.