CDS Column: The truth about FAKE NEWS

It’s all fake news.

Do you think about where your journalism comes from? When you read a story, do you trust it?

There’s been a lot of talk about “fake news” lately. The acerbic term for the fourth estate coined by the 45th president seems to have captured the hearts of many Americans, people who’ve grown tired of reading stories so disconnected from their lives they seem conjured, concocted, made up.

Having worked in media and as a reporter, I get it. There is a gaping hole in journalism, in the retelling of the everyday. I wouldn’t go so far as to say the news is “fake,” but I couldn’t claim it as “real” either. News is somewhere in between, something gray and messy and incomplete. As journalists and as citizen readers we would do well to remember that.

Pick up a newspaper (chances are you’re holding one now). Where do you go for “the truth”? The cover story? An inside piece? The sports pages? Classifieds? Every section is told through a lens, and that is a complicating thing. Take the cover story, the most important news of the day. It is likely about a serious issue, something where reasonable people stand on differing sides. It is an issue with nuance and complexity, and there on the front page it is told in 1,200 words.

Just 1,200 words. What complicated truth can be told in that? How do you sum up the issues that dominate our political lives today in a dozen paragraphs?

Write 600 words on race in America. Tell the whole story. Make it complete.

Write 1,000 words on abortion. Don’t leave anything out.

Write 5,000 words on poverty. Make it a definitive work.

The truth? You don’t. You can’t. You edit. You cut. You leave out. You offer what you can in the space provided, trusting that good readers will forgive your omissions and chalk them up to brevity rather than bias. Every story, every article and every column does this. Not one can carry a full accounting of the truth. No newspaper gets it all. This isn’t a Sun problem, this is a journalism problem. It is a life problem.

Television, too: 24-hour news, but still we can’t get close to a full relating of the American experience.

And the internet: Infinite space, and yet there is more confusion than clarity.

Whether we’re talking documentaries or books, their hours of words and storytelling are yet incomplete. They only offer a partial telling. There is no truth, no single source explanation of the world and of what happens around us. Every retelling, every explanation, is woefully inadequate.

That is the heart of journalism, the truth of reporting. Every reporter wades out into a world of gray and comes back to lay down a story in black and white. That simplified version then goes out to thousands of people, each of whom looks at it slightly askew.

Is it “true”? No, but it contains truth in it. It may be built of slivers and pieces, but they have been cut and edited, inevitably leaving out as much truth as it carries.

This is not a new phenomenon. This is our ancient heart. This is the fourth estate, a foundational part of democracy. It is the citizen’s ticket into the political area, the piece that keeps them informed to vote and decide. It allows us to be more than puppets to presidents and senators. It is an imperfect system, just like every branch of government. The newsroom feedback loop is no more corrupt than the houses of power — it carries good in it, and at least as much messiness as good.

But if we remember journalism is an incomplete story, if we remember there is no “truth” in the news, that every retelling is incomplete, then we stop seeing it as “fake.” Like all things in American democracy, journalism is not clear cut. It is a quick, messy telling of life, too short and too simple, a first draft of history, homework passed in on deadline. It has its purpose, and when combined with our own experience, it has value.

A newspaper’s truth, after all, is not in stories alone. To get a full view you need to read every part: the classifieds and the crosswords, the columns and the comics. Read the ads as well as the articles. The complete picture, that is where the truth hides. If you read one day’s paper you get only a snapshot in time. But if you read the paper day after day, its depth starts to emerge. The swings and stories begin to balance out. A fuller picture takes hold. The reality of life starts to pile together. A truth emerges from the overlap.

Look at the corrections sections, where newspapers admit their faults. Suddenly the medium seems almost human.

Otherwise it’s all fake news. But only if you believe it.


This column appeared in today’s Conway Daily Sun.

CDS Column: Cuba, A One-Hour Visit

CDS Column: Cuba, A One-Hour Visit

IMG_8150How do you explain a country?

It’s a presumptuous task. I’ve taken six trips to Cuba in the last year, spent a little over two months there, visited a handful of towns, climbed in the western mountains, swam in the clear blue Caribbean, danced in Salsa wherever I could and wandered the Malecon. I’ve also listened to multiple professors discuss topics from trade to transgender rights, studied their history and talked politics with the people.

But still. The Cuban/American relationship is so embattled, so complex, how do you boil it down to an hour talk?

GEMM9041
Jamie Gemmiti photo

That was Thursday night. The North Conway Public Library asked me about giving a slideshow on Cuba, about what it’s like to go there. I agreed—I fell in love with the country, and after a handful of visits it was clear the island was vastly misunderstood at home.

How? Communism, for example: Cuba is a country of small-scale entrepreneurs running restaurants and rooming houses out of their homes. There is a hustle to these new businesses, a creative energy akin to the growing food truck culture of the United States.

These enterprises exist against a backdrop of state-run restaurants and hotels that Cubans themselves will tell you are bad, not worth visiting. The state-run enterprises get government funding, but they also suffer from the endemic sluggishness of businesses allowed to bloom without fear of competition. Communism exists in Cuba, but it is no longer ubiquitous. It is the dead skin the country is still working to slough off.

And history. Explaining the longstanding Cuban desire for an independent state to Americans is an upstream paddle. We remember the Bay of Pigs and the Cuban Missile crisis but have forgotten the Spanish-American War. Cubans remember both. And their version of those stories are different from ours.

Cuba was a Spanish slave colony for hundreds of years, a satellite possession rich in sugar. But that wealth was siphoned off. The island was populated by serfs and a few wealthy masters who minded the plantations.

But in the mid-1800s a handful of those masters grew distasteful of the inequality surrounding them. Like American patriots 100 years before, they began writing and speaking about a freedom and building a national consciousness where previously there had been none.

Then in the 1890s they went to war with Spain, and the United States joined the fight. Cubans reasoned American assistance was offered in solidarity—America too had once been a colonial possession. But when the war was over and Cuba “liberated” freedom proved to be in name only: the country traded one overlord for another. Their protector became their new master.

That is not history most Americans remember, or how most Americans remember that history. But island stayed as it was: a land of serfs ruled by far off masters. Their dreams of freedom were deferred.

Enter the revolution. In American eyes it was the insidious growth of communism. But to Cubans it was the realization of a long held dream, one of national self-determination and governance. Nearly 200 years after Americans threw off the yoke of colonialism by kicking out the British Cubans got to do the same, but the oppressor they had to expel wore the Stars and Stripes.

Again, not a story Americans are used to hearing. But walk around downtown Havana and you’ll see indications of just how much influence the American Revolution had on Cuban thinking. Statues and depictions of U.S. presidents dot the city. Their words are inscribed on Cuban monuments. Cubans feel a brotherhood with anyone striving for freedom, regardless of past (or current) animosity. It is a refreshing view of the world.

And that’s how the people are too: not once in six trips did I have a Cuban cuss me out for being American. Indeed, what I experienced was the opposite—excitement that I was visiting their homeland, that I was interested in their country. Tell a Cuban you’re from America and they’ll smile wide. They’ll grab your hand and shake it vigorously. They clap you on the shoulder and tell you “Welcome!” This is not the response of an enemy; it is the reaction of a long-missed friend.

And that’s what’s so hard to explain. To Americans Cuba’s isolation and glaring absence from the standard diplomatic worldview has gone largely unnoticed. And when it pops up it is something askew, a decision that is their fault, the result of their bad behavior. That is our reading our history.

But for Cubans the country they feel most akin to walked out on them. Their cultural touchstone, indeed their inspiration for independence, shut the door on them. That it is now cracking back open is a joyous thing.

I gave a slideshow on Thursday about Cuba. It was mostly words and pictures, sunsets and sand beaches. Those things are beautiful, and Cuba is rich with them.

But it’s much harder to capture the island’s palpable emotion, the joy that rekindled relations has brought the Cuban people. It’s a warmth of welcome Americans struggle with—our enemies of 60 years are often deeply demonized, universally denounced as “evil.” Few people say of Iraqis and Afghans, Iranians, North Koreans or Cubans “but the people, they are our kin.” They are more often viewed as hostile collaborators, willing supporters, people to be feared. The governments and the governed are viewed through one lens.

That is where Cubans are most refreshing: 60 years of exclusion and they still haven’t lost their sense of nuance. The American people are not the embargo, nor are they the travel ban. They are people, just like their Cuban counterparts, and people are meant to be welcomed, embraced, warmly greeted, regardless of politics or history. Cubans know that.

Amid the pictures of Afro-Cuban street musicians and colonial cityscapes I would have done well to mention that more.

 

This piece appeared in today’s Conway Daily Sun.